Points (n.) 1. marks of punctuation. 2. something that has position but not extension, as the intersection of two lines. 3. salient features of a story, epigram, joke, etc.: he hit the high points. 4. (slang; U.S.) needles for intravenous drug use.
Editor’s Note: Today’s post comes from contributing editor Bob Beach. Beach is a PhD candidate in history at the University of Albany, SUNY.
The study of non-human animals has become an exciting new direction in history and the broader humanities. In a 2016 issue of Perspectives on History, environmental historian Dan Vandersommers has gone so far as to label this new development “the Animal Turn.” He argues that the impact of animals on human history defies sub-field categorizations, because the very development of organized human societies has been so reliant on intimate human/animal relationships that intersect with too many different fields to ignore.
In my own research, I’ve seen limited examples of these non-human relationships in the history of cannabis in the United States. The brief discussion that follows will demonstrate a range of roles and limited agency for non-human animal actors in these stories. We can also see how human observers have exploited (directly and indirectly) these non-human animal actors in various ways
As discussed in Isaac Campos’s book Home Grown (see pp. 208–17), the accuracy of many newspaper stories reporting on the supposedly hazardous effects of the cannabis plant on cows, horses, goats, and hogs are questionable. These tales arose from a confusion in the Mexican press during the 1920s between marijuana and several other types of “locoweeds.” The stories then spread across the border into the United States in subsequent years. The articles I’ve found, indeed, fail to clearly establish whether or not marijuana was the plant ingested by animals, but the stories do reflect official efforts to pursue and eradicate wild (and clandestine) growth of cannabis throughout the United States after the 1930s.Continue reading “Crazy Cows, Flea Detectives, and Protesting Songbirds: Exploring the “Animal Turn” in Cannabis History”
Editor’s Note: Today’s post comes from contributing editor Sarah Brady Siff, a visiting assistant professor at the Moritz College of Law at The Ohio State University, in affiliation with the Drug Enforcement and Policy Center (DEPC).
It seems true (though not perfectly true) that laws and policies conform to public opinion eventually. I recently attended a virtual meeting on sentencing reform wherein one of the panelists, a district judge, twice underscored the deep importance of public opinion to criminal justice reform. His comments stood out because, in my academic experience, people so rarely talk about public opinion as an element of policy change. Yet everyone seems to agree it exists.
We might reasonably feel optimistic these days about the drift of public opinion toward decarceration and liberalizing drug laws, but such winds have more often blown in the opposite direction. A century ago, the Supreme Court followed public opinion and affirmed the constitutionality of the Volstead Act, leading the country into the disaster of federal alcohol prohibition. Such laws did not lead to orderly sobriety but to similar measures against other substances like the widespread “preventive” prohibition of cannabis. Such was the historical argument of legal scholars Richard Bonnie and Charles Whitebread in 1970. They worried that contemporary public opinion about cannabis had been inflamed by the larger social conflicts of the 1960s, consigning the marijuana debate to “the public viscera instead of the public mind.”
Sadly, they were right. Although many scholars and activists in the early 1970s considered legalization imminent, this possibility disappeared in a cloud of bad press and President Carter’s spiraling public approval rating. Then, during the 1980s and 1990s, Joe Biden was one leading politician who often proposed or supported escalations of the drug wars because of public opinion. Biden, and other drug warriors, explicitly argued that the people wanted tougher drug policies and more federal aid to drug law enforcement. (The people, he said, were even willing to spend money on it.)
Public opinion is uncontrollable yet essential; public opinion can be either fickle, deep-rooted, or mysterious. But since public opinion can—and often does—influence laws and policies, we might think about it more often. In that spirit, I offer a brief collection of media artifacts from several different eras that have helped shaped public opinion about drug control. Americans have been consuming a sustained diet of drug-related information for more than a century.Continue reading “Drug Packaging: Newspapers’ Long History of Sensational Narcotics Reporting”
Editor’s Note: Did you miss us? We experienced some technical difficulties last week. Hopefully, we’re back up and running smoothly now. Today’s post comes from contributing editor Michael Brownrigg. Michael recently received his PhD in US history from Northwestern University, where he studied the relationship between emotion, white masculinity, and capitalism to explain the emergence of an antinarcotic consensus in America at the turn of the twentieth century.
Author’s Note: So as not to spoil The Queen’s Gambit for those who have not yet seen it, I will primarily focus on critical discourses of its depiction of drug and alcohol addiction in this post.
In the midst of the Covid-19 global pandemic, in October 2020 Netflix released The Queen’s Gambit, a limited series adapted from the 1983 novel written by Walter Tevis examining the improbable rise of Beth Harmon, a fictional chess prodigy in the 1960s, as she strove to become a world champion in what, at the time, was exclusively a man’s game.
The show quickly became an unlikely success and cultural phenomenon, drawing over sixty million viewers less than a month after its debut. Critics and fans pointed to several factors to explain its unexpected popularity. They praised lead actress Anya Taylor-Joy’s compelling and dynamic portrayal of Harmon, as well as the program’s innovative cinematography that somehow made the world of chess dramatic and exciting. Many were smitten by its fidelity to a 1960s aesthetics, drawing comparisons to another period piece, the hit show Mad Men.
Others suggested that timing played a crucial role. Themes of loss, grief, alienation, and trauma figure heavily in the narrative, dramatizing what millions of people across the globe could identity with as they experienced the psychological and emotional distress caused by the pandemic. “It’s a show that seems tailor-made for our joy-starved minds in a somber modern world,” wrote cultural critic Kelly Lawler in a glowing review that deemed The Queen’s Gambit “the best piece of content in 2020.” And then there was the renewed mass interest in chess. Much like exercise equipment, chess sets quickly became unavailable in the pandemic economy as sales surged to staggering levels, increasing by as much as 1000 percent for some vendors.
The show also portrays copious amounts drug and alcohol consumption—another thematic element that perhaps helped to attract a large audience given spikes in substance abuse during the pandemic. A Google search of “The Queen’s Gambit” and pharmaceuticals yields dozens of articles explaining what, exactly, the drugs consumed in the show actually were. Most likely Librium or a similar benzodiazepine, Newsweek concluded.Continue reading “Chess and . . . Drugs? Addiction and Recovery in The Queen’s Gambit“
Editor’s Note: Today’s guest post is by Prince Vlad, a pseudonym the author (a public school teacher by day) uses to protect their identity. For an ongoing research project, they have recorded nearly 150 life histories with men and women from several different Salvadoran and US gangs found across El Salvador. Portions of this research have been presented at national and international conferences.
In the last half of the 1980s, youth groups known popularly as maras emerged as an issue of public concern in El Salvador. Contemporary newspapers, drawing heavily from law enforcement information, raised the alarm and cast the maras as juvenile criminal drug users. In 1988, for example, Diario Latino described the Mara Gallo as a “juvenile band… dedicating themselves to stealing, rape, and smoking marijuana” . A year later El Diario de Hoy charged that the “juvenile band ‘Mara Chancleta’” was made up of “drug addicts, thieves, and huelepegas [glue sniffers]” . That same year El Mundo warned its readership about a gang of sixty “huelepegas and thieves” known as the Mara Morazán which operated around the San Salvador capital .
Media accounts, although superficial and sensational, were grounded on facts. Ricardo, a co-founder of La Morazán, summed up the eight years he spent he with his mara: “I was robbing, I was smoking. I was on glue. I was on drugs. I drank. When it was time to drink I drank. And when not, just the jar of glue, right?” .
José similarly framed his six years as a member of the Mara Gallo using terms of drugs and delinquency. “I stole for drugs, for glue, for alcohol, to be around girls. I was in a dark world [mundo tenebroso],” Ernesto said, adding “but it didn’t end there, right?” .
Ricardo’s and José’s testimonies are from a collection of interviews I have recorded with nearly 150 male and female active and ex-gang members from El Salvador for a historically grounded study about the origins and evolution of the country’s contemporary gang phenomenon. The subject of drug use was discussed by all narrators. These personal narratives—and my continued research project—reveal intimate details about the causes, consequences, and nature of drug use among Salvadoran gang members across multiple generations.Continue reading “Salvadoran Mara Gang Members and Drug Use in the 1980s”
Editor’s Note: This is the second installment in “The Way Back Machine,” a series of interviews with key theorists and practitioners of alcohol and drugs research, treatment, and recovery among women and communities of color during the 1970s, ‘80s, and ‘90s. Through these interviews, Points co-founder and Managing Editor Emerita Trysh Travis works out some of the theoretical issues she articulated almost ten years ago in “Feminist Anti-Addiction Discourse: Towards A Research Agenda.”
The coronavirus pandemic has brought to light not only America’s glaring health inequalities, but also the community health centers (CHCs) that serve many of the nation’s most marginalized populations. One of the most enduring features of President Lyndon Johnson’s War on Poverty, these comprehensive facilities began with sprawling missions—not just biomedical and psychiatric health care, but also early childhood education, adult job training, and (you guessed it) alcohol and drug education and treatment. The recent spotlight on the CHCs’ strengths and vulnerabilities prompted Points’ Managing Editor Emerita Trysh Travis to dig a little deeper into this last aspect of their mission as part of her ongoing efforts to understand the grassroots theories of substance abuse and recovery that were elaborated in the 1970s, often in urban environments far from the bucolic precincts of “the Minnesota Model.”
Jackie Jenkins-Scott is the former President of Wheelock College, a founding partner of JJS Advising, and the author of the Seven Secrets of Responsive Leadership (Career Press, 2020). Before she became a “thought leader” in organizational change, however, she was a pioneering presence in community-based substance abuse treatment, working at the Dimock Community Health Center in Boston’s Roxbury neighborhood (among other places). Is there anybody better qualified to talk about the evolution of service delivery and recovery during the last decades of the twentieth century? We didn’t think so either.Continue reading “The Way Back Machine—Jackie Jenkins-Scott and Community-Based Treatment in Roxbury”
Editor’s Note: Today’s guest post comes from Jocelyn Szczepaniak-Gillece, an associate professor of English and Film Studies at the University of Wisconsin–Milwaukee. She is the author of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture (Oxford University Press, 2018) and the co-editor of Ends of Cinema (University of Minnesota Press, 2020).
Above one of the many neo-classical governmental buildings that populate Washington, DC, an American flag waves proudly. “United States Department of Treasury,” the voiceover intones. “That’s right, the place they make money.” Dissolves bring us inside where assembly lines stack and sort sheets of cash, “that green stuff,” the narrator drones, “you scramble to get, and then give back at the end of the year, so cheerfully.” But Columbia Pictures’s 1948 thriller To the Ends of the Earth isn’t about money or taxes. Or, at least, it isn’t about their physical presence. Instead, it’s about unassuming quiet objects. It’s about secret circulations of global capital flows. And in particular, it’s about an “innocent, pretty little thing”: the poppy flower and its dark passenger, opium.
Following Agent Michael Barrows, the narrator and protagonist, through China, Egypt, and Lebanon before returning to the harbors of New York, the movie tracks across opium manufacturing and trade routes while regularly referencing the drug onscreen—shocking for a Hollywood film produced during the era of the Production Code. And while the movie has been mostly forgotten, never released on DVD let alone streaming services, it’s an important document about the ties that bind drug policy, governance, censorship, mass media, and the twilight of the Hollywood studio system.Continue reading “Harry Anslinger Goes to the Movies: To the Ends of the Earth“
Today we’re excited to feature a Points Interview with Dr. Stephen Snelders, the author of Drug Smuggler Nation: Narcotics and the Netherlands, 1920–1995 (Manchester University Press, 2021). Snelders is a Research Fellow at University of Utrecht, and is a member of the Intoxicating Spaces project. He has written books on seventeenth-century Dutch piracy, leprosy in the Dutch colony of Suriname and LSD therapy in the Netherlands. The interview was conducted by Contributing Editor Peder Clark.
Describe your book in terms your bartender could understand.
The recreational use of illegal drugs is quite common and a more or less accepted leisure activity in the city where I (and my bartenders before and after the lockdown) live. Just as common is media coverage of violence executed by “organized crime,” trials against “drug lords,” new record drug seizures in Dutch port towns, police raids on underground drug laboratories, and the “subversion” of the democratic state by organized drug gangs. Fifty years ago, all of these phenomena seemed to exist to a much smaller degree. The whole concept of “organized crime” was then unknown to the Dutch judiciary and police force. Furthermore, a hundred years ago, there were no laws against illicit drugs in the Netherlands. Since then, the Netherlands has become a key hub of the international drug trade.
My book basically asks the question, how did we get ourselves in this situation, and, especially, why did Dutch drug smuggling become so big and important? The book researches histories of smugglers and smuggling networks: drug users, criminal entrepreneurs, idealists from the hippie and XTC (ecstasy or MDMA) drug undergrounds, brokers from pharmaceutical companies, sailors, and others. They could all thrive in a social and cultural climate of what I call “criminal anarchy:” embedded and rooted in Dutch society, connected to a legal “upperworld.” Crucially, they were NOT organized in large hierarchical crime syndicates that would have been relatively easy targets for police activities, but rather the groups and networks were often transitory, vertically organized, and only seldom competing with each other. In short, the book shows why cutting off one head of the hydra of drug smuggling only led to the growth of new heads in new places.Continue reading “Points Interview: Stephen Snelders”
Editor’s Note: With this post, Points is pleased to inaugurate a new regular feature highlighting interviews from the “Addiction Lives” interview project, a print and online collaboration between the Society for the Study of Addiction and the journal Addiction.
The journal Addiction’s long-running interview series, “Addiction Interviews,” was reintroduced in 2017 as “Addiction Lives,” a joint print/web collaboration with the Society for the Study of Addiction (SSA). The new series, under the editorship of Professor Virginia Berridge, was introduced in an Addiction editorial by Jean O’Reilly and Robert West in December 2017.
The original “Addiction Interviews” ran for 36 years (from 1979–2015) under the editorship of Professor Griffith Edwards. The series provided wide-ranging conversations with more than 100 people who had contributed to the field of addiction studies at local, national, and international levels. It focused in particular on the field’s scientists and those who developed links with policy. A virtual issue of Addiction available in the Wiley Online Library provides links to the full series of 111 interviews and includes a reflection from Thomas Babor about the series.
The new interviews continue the same mission as the original series and focus on the views and personal experiences of people who have made particular contributions to the evolution of ideas in the field. The full interviews are posted online on the SSA website and a summary is published in Addiction. The original interviews were largely unstructured, and the interviewers remained anonymous. The online platform now allows for the inclusion of enhanced content such as audio and video recordings and linked short bibliographies of the interviewees’ work. Addiction continues to commission the series and suggestions for interviewees are always welcome! Please email any suggestions to firstname.lastname@example.org.
Today’s featured interviews are with Professor Betsy Thom and Harry Shapiro.Continue reading “Addiction Lives Interviews: Betsy Thom and Harry Shapiro”
Editor’s Note: Today’s post comes from contributing editor Bob Beach. Beach is a PhD candidate in history at the University of Albany, SUNY.
Everyone loves a good editorial cartoon. They dramatize contemporary issues in newspapers, in magazines, and, increasingly, in online publications. They routinely engage in a visual form of incisive social critique. And they can be funny—although over the years some of the “humor” has come from degrading caricatures of racial and gendered stereotypes.
For all of these reasons, editorial cartoons are useful teaching tools for historians, and they routinely appear in history textbooks, historical websites, and even on history exams. Currently, some of my students in a semester-long guided research project are using political cartoons to explain aspects of US drug history. (Others in the class are analyzing advertisements or newspaper reporting, and I will share more about the course in a future post).
Given the press bonanza around cannabis during the “reefer madness” era of the 1930s, I have been surprised during my research and teaching to have found only four cartoons from the period that specifically mentioned marijuana. To be sure, there were plenty of cartoons that focused on related issues like “narcotics” control—which often included cannabis—and the Uniform State Narcotic Act. Such cartoons, however, tended to focus on heroin (usually represented by snake imagery) and have not been useful for my marijuana research. There was also another interesting 1940 cartoon that mentioned marijuana in a very different context. This image depicted South American countries being stupefied—like a “Mexican” marijuana user—by “Nazi Propaganda” 
Despite spilling less editorial cartoon ink than might be expected given the sheer volume of press generated on the subject during the 1930s, these four identified cartoons present a specific and surprisingly nuanced take on Reefer Madness. They illustrate that the marijuana peddler was often the central focus of the evolving American war on cannabis. Drawn by four different cartoonists in four different cities, the four peddler characters were remarkably similar. In each image, the peddler was not only the source of the drug, but also seemed to be the source (perhaps more than the drug, itself) of all the problems associated with the drug trade.Continue reading “Drawing the Peddler: “Reefer Madness” in Four Editorial Cartoons”
Editor’s Note: Today’s post comes from contributing editor Dr. Stefano Tijerina, a lecturer in management and the Chris Kobrack Research Fellow in Canadian Business History at the University’s of Maine’s Business School.
The intellectual, political, social, economic, environmental, and cultural ideas behind narcotics trafficking are front-loaded with Western constructs. This vision has often been imposed by force across the world and more particularly in developing countries directly tied to the geopolitics and international political economy of narcotrafficking. Dr. Pablo Cáceres Corrales, a Colombian scholar and expert in comparative law, is a refreshing voice—a revisionist who points the finger not at supply-and-demand debates but at the nature of the business of narcotics and its interdependence and interconnectivity with market globalization.
From his perspective, narcotrafficking is an essential part of the deregulated dynamic that allows the global capitalist system to navigate the thin line between formality and informality. Narcotics trafficking, he argues, is just one of the many superstructures allowing the global market system to operate on all cylinders. Narcotrafficking provides the ability to move money globally while at the same time laundering resources from the informal to the formal market.
As president of Colombia’s Superior Council of Judicature during the deadliest phase of the 1990s War on Drugs, Dr. Cáceres witnessed first-hand the intricacies of the international business world of narcotics trafficking. Understanding criminality and criminal organizations became an intellectual passion that led him to study its global history. During the pursuit of his doctoral degree, soon after retiring from the judicial branch, it became clear to him that the explanation for Colombia’s violent reality rested on the broader superstructures of globalization.
In his latest and thoroughly researched book, Las Formas Cambiantes de la Criminalidad [The Changing Forms of Criminality] (Universidad Nacional de Colombia, 2016) Cáceres introduces us to the broad magnitude and expansive tentacles of contemporary criminal organizations and their interconnectedness to the world-wide market system.Continue reading “Pablo Cáceres Corrales: “Narcotics Trafficking is Just Another Superstructure of Globalization”—Part I”