Editor’s Note: Michael E. Staub’s Madness is Civilization: When the Diagnosis Was Social, 1948-1980 (University of Chicago Press, 2011) is bedecked with a number of favorable comments at its Amazon storewindow site. Staub’s previously authored books include an oral history, titled Love My Rifle More than You, about a woman soldier who served in Iraq in 2003 and 2004. The author suggested this work might also interest drug and alcohol historians.
It would depend on how old this hypothetical bartender was. Is she old enough to remember the 1960s? Let’s assume that she is. Then I’d ask her to remember her reading of Ken Kesey’s One Flew Over the Cuckoo’s Nest or Marge Piercy’s Woman on the Verge of Time or seeing Alan Bates in King of Hearts or listening to Arlo Guthrie’s riff in “Alice’s Restaurant,” where he discusses how he evaded the draft not because he yelled at the military psychiatrist that he wanted to “kill, kill, kill” but because he’d been arrested for littering. (Admittedly, this is a pretty cultured bartender I am concocting, but it’s my bartender and I’ll imagine who I want to.) So I’d tell the bartender how the 1960s are routinely remembered today for all kinds of things like hippies, Che Guervara, Tricky Dick, Neil Armstrong, Ho Chi Minh, Black Power, and SDS, among others. But what almost always gets left out of the history books is how much critical and popular attention in the 1960s and 1970s was lavished on issues relating to madness and the asylum. And I’d say that explorations into madness often became a means to address a host of other political and social concerns, ranging from the dysfunction of the nuclear family to the devastations of militarism to the problems of gender and race relations to the failures of the educational system. As one social psychologist put it in the early 1970s, and I am paraphrasing here, this was an era in US history when many Americans felt that the entire country had gone crazy, and the question for many was how to maintain their sanity in an increasingly insane society. That’s what my book is about.