The Way Back Machine—Jim Baumohl, Advocate for Research about Drugs, Alcohol, Poverty, and Homelessness, Part II

Editor’s Note: This is the fourth installment in “The Way Back Machine,” a series of interviews with key theorists and practitioners of alcohol and drugs research, treatment, and recovery among women and communities of color during the 1970s, ‘80s, and ‘90s. Through these interviews, Points co-founder and Managing Editor Emerita Trysh Travis works out some of the theoretical issues she articulated almost ten years ago in “Feminist Anti-Addiction Discourse: Towards A Research Agenda.”

This is the Part II of Trysh Travis’s interview with Jim Baumhol. Be sure to read Part I of their wide-ranging conversation!

Most historians of alcohol and drugs know Jim Baumohl for two classic articles that examine alcohol institutions and policy history: “Inebriety, Doctors, and the State” (1987, with Robin Room) and “Building Systems to Manage Inebriates: The Divergent Paths of California and Massachusetts, 1891–1920” (1994, with Sarah Tracy). Few, however, are familiar with his rich body of work on poverty and homelessness—a polymorphous collection of research articles, white papers, and agency reports that basically map the US government’s failure to adequately imagine (much less implement) solutions to those issues in the post-Great Society era.

Like many of the folks featured in The Way Back Machine series, Jim Baumohl’s life during the 1970s and ‘80s featured a mix of political, intellectual, and research work. The rapidly shifting policy landscape created a set of conditions that invited creative, big-picture thinking as well as a strange mix of unabashed idealism and self-preserving sarcasm. All of these were on brilliant display when Points Managing Editor Emeritus Trysh Travis sat down with Jim for a two-part interview. Read Part I of their conversation.

Part II

Trysh Travis: Now all the pieces come together: unhoused youth and alcohol/drugs become “a thing” in the mid-1970s.

Jim Baumhol: Yes, but attention to that thing was operationalized in different ways. Some programs, like Manhattan’s The Door, were run by smart, experienced, and inventive professionals who understood young people and their dismal economic prospects in those years. The Door, which I first visited in 1977, I think, was the best funded, broadest, and most culturally diverse and sophisticated alternative service I ever saw. Perhaps most impressive, they took a variety of funding streams intended to support narrow purposes and provided a wide ranging, seamless, and individualized experience for their clients. As any program administrator will attest, that’s quite an achievement.

Way Back Machine Title Card Baumhol II

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