Navigating Cannabis Use in Legal and Illegal Contexts Across Continents: An Interview

As part of our Pharmaceutical Inequalities series, Ejura Salihu interviews a 25-year-old Nigerian man, who now lives in the United States and uses cannabis, to understand his experiences of navigating the legal considerations of using cannabis in different geographical contexts.

French Connections: London-Paris linkages in interwar drug culture

In the early hours of the morning of 1st July 1937, Gerald Edward Mary O’Brien was detained by police officers on the ferry returning from Dieppe. He had crossed the channel with six grammes of high-quality heroin concealed about his person. It was the last of what had been a regular series of trips to Paris from his home in London, and he had sourced the heroin from two young Americans living in a hotel in the Pigalle, which was the entertainment and ‘vice’ district of the French capital.[1]  The transaction was a small part of a broader global network overseen by Corsican and Sicilian organised crime groups; the poppies were grown on the Anatolian plains of Turkey, the opium shipped to Marseilles and converted to heroin in illicit French laboratories before arriving in Paris and being taken on to North America and around the world – the early, rudimentary beginnings of the famous ‘French connection’ that would take heroin to the mean streets of North America in the postwar years. The Paris route to London was a minor facet of an increasingly global trade.

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“In the footsteps of the poppy”: a new virtual exhibition by the National Pharmaceutical Museum

The Netherlands’ Nationaal Farmaceutisch Museum has launched their virtual exhibition on the history of opium and opiates curated by digital archivist Rimke van der Bij in partnership with experienced academics in the histories of drugs and pharmaceuticals, Toine Pieters and Stephen Snelders.

Introducing ‘The Drug Page’: A New Online Resource and Digital Humanities Project

Editor’s Note: In this latest ‘Points’ blog, Isaac Campos introduces thedrugpage.org which features his new digital humanities project on early twentieth century cannabis discourses in the United States. Below, Campos describes the origins of the research featured on The Drug Page and his intended mission in sharing it. We look forward to watching its evolution!


Twenty years ago, when I was living in Mexico City researching my dissertation, I had a daily routine. I’d spend the first part of the day, roughly from 9-3, at one of the major historical archives. Then I’d take the subway downtown to the Miguel Lerdo de Tejada Library. After a rejuvenating cup of coffee nearby, I’d go into the library’s dimly-lit, cavernous research room to pore over old newspapers. That is, the original, printed copies from a century ago. Each of the desks was equipped with a big wooden stand where the ample bound volumes could be safely opened to reveal their weathered old pages. I can still hear the sound of pages turning backed by the echoes from the teeming city. I did that for two hours every afternoon. I turned a lot of pages at the Lerdo Library that year.

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Brenda Dean Paul: Morphia, Camels, Lipstick and Chiffon Knickers

It is possible to read the life of Brenda Dean Paul in a variety of ways. While Elliott Hicks in a recent article focuses very largely on class relationships in interwar Britain, this short piece concentrates more on issues with a specific connection to the drug policy context and to the development in Britain of social modernism. These lines of inquiry are of course linked to social class but cannot be ‘read off’ from class positions.

By the term social modernism, I am referring to lifestyle practices associated with modernism in the arts and literature, alongside which it crossed the English channel in the interwar years. Brenda Dean Paul belonged, largely through the influence of her mother Irene Poldowski, to a rich and complex European modernist network. The lifestyle practices to which I refer would include divorce, bisexuality and same sex relationships, travel, bohemianism, liberal views of the proper relations obtaining between parents and children, the frequenting of nightclubs and so on. Although modernism has frequently been associated with a disdain for popular culture, it is noteworthy that jazz music and jazz modes of dancing were also part of this mix and would lead some of its adherents into the politics of race in the United States. Social modernism was also closely linked to experimentation with drugs.

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A Tale of Success and Exchange: the Stories of Chinese Pharmacy Students in the Early 20th Century at the University of Wisconsin

Despite being thousands of miles across the Pacific Ocean, at the turn of the 20th century, the University of Wisconsin-Madison School of Pharmacy became a hotspot for Chinese students interested in researching medicinal plants in China. Under the advisement of Dr. Edward Kremers, these Chinese students brought their knowledge of medicine to American pharmaceutical research with a broader goal of equalizing China and its traditional knowledge on an international stage. PhD student JJ Strange recounts the stories of these students, found in the AIHP archive.

Points Interview: Philipp Rühr, Archival Researcher Network participant.

Following on from my recent post on the emergence of the non-profit psychedelic prior art library Porta Sophia, and its Archival Researcher Network (ARN), this post features an interview with ARN-participant Philipp Rühr.

Philipp is an aspiring psychotherapist with a background in video art, filmmaking and translation. His videos and films have been shown internationally. Based in Berlin, he is currently completing his studies in Psychotherapy Sciences at the Sigmund Freud Universität where he is also working at the outpatient clinic. He has recently received Porta Sophia’s ARN-Research Grant for his research on psychedelic prior art. Philipp’s current focus are clinical trials with psychedelic compounds in children and adolescents, and he is dreaming of compiling and translating a compendium of historic German psychedelic study reports which haven’t previously been translated into English.

Through the interview here, it becomes clear how Rühr’s work with the ARN has dovetailed with his own research interests and career to ultimately support Porta Sophia’s goal to intervene in the psychedelic patent landscape and ensure psychedelic therapies can one day be available at scale to the people who need them. Rühr was one of the first recipients of a Porta Sophia research grant and, to date, he has submitted 30 pieces of prior art in response to the archival prior art targets. 

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