The Points Methadone Marathon

Methadone Movie Title Card

Welcome to the home page for the Points Methadone Marathon!

January marks ten years since the launch of the Points blog, and to celebrate this historic milestone, we’re invoking another, larger anniversary: passage of The Drug Abuse Office and Treatment Act of 1972 (Public Law 92-255). The ramifications of this law were far-reaching, not only in the “war on drugs” but also in the less-scrutinized evolution of substance abuse treatment. Methadone was the place where theorists of criminal justice and treatment met and—briefly—danced. In the shadow of the radical critiques both had suffered during the 1960s, they looked to find a cost-effective and empowering way to combat heroin addiction. But like so many grand ideas from this particular moment in time, things didn’t quite work out according to plan.

The reasons for that are many, of course, and the ramifications are legion; the Points Methadone Marathon aims to unpack them all. We kick off with an exclusive screening of James Klein and Julia Reichert’s outstanding 1974 film Methadone: An American Way of Dealing. This cinema verité classic was deemed too controversial for wide release back in the day, and has long been out of circulation. Thanks to the generosity of James Klein, you can see it here now at the link embedded below.

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Hamilton’s Pharmacopeia: An Appreciation

Editor’s Note: Today’s post comes from contributing editor Peder Clark. Dr. Clark is a historian of modern Britain, with research interests in drugs, subcultures, health, everyday life, and visual culture. He completed his PhD in 2019 at the London School of Hygiene and Tropical Medicine (LSHTM) and currently holds a position at the University of Liverpool.

Hamilton's Pharmacopiea Title Card
Image courtesy ViceTV.

For the unfamiliar, Hamilton’s Pharmacopeia is a documentary series that follows a young chemist, the titular Hamilton Morris, as he travels the world investigating the eccentric and esoteric cultures of intoxication surrounding the production and consumption of psychoactive substances—both common and uncommon. There is plenty of material here for the average Points reader. Indeed, prior to penning this article, I was surprised to learn via the search function that it hadn’t previously been written about on Points. After the (COVID-delayed) release of the third season earlier this year, it seems an appropriate time to discuss the show’s appeal—not least because Morris has hinted that this may well be his Pharmacopeia’s final run.

The very first episode, screened in 2016, is a good place to start. It has many of the defining features that makes Hamilton’s Pharmacopeia a compelling busman’s holiday for drug historians. In the opening sequence, Morris sets out his pitch: “I’ve been fascinated by psychoactive drugs my whole life. I love to study their chemistry and impact on society. And my work has allowed me to investigate extraordinary substances around the world.… Yet there are still mysteries that remain.”

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