Points Interview: “Just Say Know: A Social History of How Naloxone Came to Matter,” with Nancy Campbell

Editor’s Note: Starting today and running periodically over the next month, Points will feature interviews with authors from the latest issue of ADHS’s journal Social History of Alcohol and Drugs (vol. 34, no. 2; Fall 2020), published by the University of Chicago Press. Today’s post by Dr. Nancy Campbell reflects on both her keynote address at the 2019 ADHS biennial conference in Shanghai and on learning how to promote a book during the early days of a global pandemic. Dr. Campbell is Professor & Department Head, Science and Technology Studies, at Rensselaer Polytechnic Institute. You can see her keynote address here. Contact the University of Chicago Press to subscribe to the journal or to request access to this article or any other article from SHAD

Nancy Campbell in Shanghai
Nancy Campbell at the Humble Administrators Garden in Suzhou, China.

Delivered steps from Shanghai University, my 2019 ADHS keynote address in the Fall 2020 issue of SHAD foreshadowed my latest book OD: Naloxone and the Politics of Overdose (The MIT Press). The David F. Musto Center for Drugs and National Security Studies was the event’s host organization, and the SHAD editorial trio (editor’s note: Nancy Campbell, David Herzberg, and Lucas Richert) was in town for the first ADHS conference held in Asia, “Changing Minds: Societies, States, the Science, and Psychoactive Substances in History.” Thus my memories are bound up with an evening at Healer in Shanghai, where Phoebe Han mixes ritual, baijiu aged within live bamboo, creativity, and incense into exquisite concoctions (pictured). Even reading the page proofs of the keynote brought that moment of contemplative refreshment back to me like Proust’s imagined petit madeleines dunked in tea.

Multi-modality drink at Healer.
Multi-modality drink at Healer; photo by the author.

The keynote address condensed the book, which came out on March 5, 2020—right before institutions shut down in the face of COVID-19. Fumbling around Zoom and jerry-rigging cables to ease home WiFi traffic while pivoting my class “Drugs in History” online, I leaned into co-editing SHAD, heading a department, and maintaining a brisk writing and walking schedule with COVID buddy Marion Roach Smith. I learned more about promoting books than I ever wanted to know in the basement corner that became my pop-up studio. To up my audio game, I hid beneath a blanket to record, while coordinating my video outfits with a teal couch and russet walls.

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The Points Interview: Nancy Campbell

Editor’s Note: Today we’re thrilled to feature SHAD co-editor Nancy Campbell discussing her new book, OD: Naloxone and the Politics of Overdose (The MIT Press, 2020). Campbell is Professor and Department Head of Science and Technology Studies at Rensselaer in Troy, New York. Her other books are: Gendering Addiction: The Politics of Drug Treatment in a Neurochemical World (co-authored with Elizabeth Ettorre; Palgrave, 2011); Discovering Addiction: The Science and Politics of Substance Abuse Research (University of Michigan Press, 2007); The Narcotic Farm: The Rise and Fall of America’s First Prison for Drug Addicts (co-authored with JP Olsen and Luke Walden; Abrams, 2008); and Using Women: Gender, Drug Policy, and Social Justice (Routledge, 2000). Although she has a PhD in the History of Consciousness from the University of California at Santa Cruz, she has been granted a green card as a historian.

Describe your book in terms your bartender could understand.

Screenshot 2020-05-18 21.01.53Some of my favorite bartenders include grad students and PhD alums. They’ve had rough days “pivoting” to incorporate COVID-19 into their dissertations. I’d introduce my book as dense, dark, and handsome, like the cover. OD is spelled out in old-school Franklin Gothic Condensed type—headline type. But scribed through the letters is a 45-degree angle, signifying the US opioid overdose death rate from 2000-2017.

OD: Naloxone and the Politics of Overdose is a lively book about death. Preventable deaths haunt its pages. The protagonists of OD all have a touch of mordant wit tinging their heartfelt dedication to harm reduction. Their badassery has been quite effective—these compassionate cynics were galvanized to remodel their social worlds over the past 30 years. Many were touched by profound losses. Many knew people who died because naloxone and the knowledge to use was not ready to hand. Their stories intertwine with those of policy and public health, wars on drugs and drug users.

Every bartender knows that people grieve their losses differently. Some drown their sorrows. Others turn them into art, poetry, protest, or testimony. Some turn them into science, research, evidence. I included as much of the cultural production that has occurred in response to overdose as I could muster. There are 40 illustrations, some 20 of which came from Santa Cruz Needle Exchange’s ‘zine Junkphood. These keep the book’s pulse strong. You can learn a lot from people who believe, as Lee Hertel of Lee’s Rig Hub in Minneapolis, that “nobody deserves to die because of how they choose to navigate life.”

That’s something every bartender needs to hear and pass along.

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